Saturday, March 28, 2015

Curse of the Devil

Curse of the Devil Directed By Carlos Aured, Starring Paul Naschy (1973). 

I'll get to the obvious, Paul Naschy doesn't receive much love here at TOG, I can relate that many fans of his feel that he's been cheated and lampooned unfairly by society at large. Those ravenous devotees of the Spaniard Wolfman, think that he hasn't been given a fair chance. I'm willing to give him the benefit of the doubt because I can appreciate the art of stop motion werewolf transformation and am a monster nerd (I mean I am a regular contributor to Monster)! According to Chas Balun, this is apparently the Nasch-man's "Citizen Kane" and I've enjoyed some of his work in the past, so I'm sure it will be at least a good time. 

The credits prominently feature the voice talents of Ed Mannix (who for years, I thought was the voice of Al Cliver but I was misled by because it's actually Nick Alexander). Mannix has dubbed lots of actors in Lucio Fulci films like The NY Ripper, House by the Cemetery and also worked on Pieces and Burial Ground. With most of these dubbed eurotrashy films, your ears get more acquainted with the overdub, than the actor's real voices. 

 Two knights start clashing metallic weapons on horseback, one of them is related to Countess Bathory (who's been immortalized in countless metal songs) and the other is the star, Paul "The Spanish Wolfman" Naschy. Nasch slices off the head of his oppressor while two women conduct a black mass and recruit Satan's help in their vengeance. Paul wears different hats and costumes, playing a few roles at a time, possibly for economic reasons. Witches are hanged and burned lickity split, while they curse the family name of Waldemar Daninsky, the character Nasch plays in almost all of his movies.

Hey bring back my head!

He shoots what he thinks is a dog on a hunting trip and it turns out to be a shape shifting man.  In a witches dungeon, a flaming pentagram spawns a naked hippy chick who takes a magic skull (not of the crystal variety) and plans on making things shitty for Paul. He finds the hippy babe, who sort of resembles Joan Collins, and brings her back on his horse drawn carriage. 

They mention "The Night of Walpurgis" a lot, which is when witches meet in obscene revelry, it was depicted in Thomas Mann's Magic Mountain and also in Goethe's Faust. It was also a hardcore song by Integrity.

Ooops, I accidentally turned into poodle man!

Naschy (who in some scenes looks like George Costanza to me when he wore that hairpiece that Elaine tossed out the window), falls for his new witchy girlfriend. It's all according to plan and she harbors no true feelings for him. She punctures his chest with an animal skull covered in blood and it turns him into a -- you guessed it -- snarling hairy beast! 
He blames himself for her death and even has nightmares about it. I can't understand why he likes her, she gave him the mark of the werewolf and was soon after killed by some random maniac out in the forest with an axe. 

CONSTANZA! see it works sometimes

Out in the green countryside, he finds a blonde in distress and helps her by a waterfall. There are lots of dull Hammer-esque shenanigans going on that slow down the plot. I used to think Hammer films were very dry and boring until I got older and saw ones like Vampire Circus and Twins of Evil (2 of my absolute favorites). I appreciated them a lot more now than I did in high school. I'm aware of the Naschy fanbase who defend his work with a venomous passion, but I don't really get it! I loved Inquisition and a few others we've reviewed (excluding The monsturd Werewolf vs The Yeti)! 

Mama-Mia, thissa some spicy red-a meatsauce

The characters are seriously one-dimensional and the dialogue adds nothing other than "uh oh, look out something might happen pretty soon!" OK I'm waiting! 

He does get involved in a love triangle with the two blondes (one of them looks like Shakira and has a giant hairy bush). Remember when Lon Chaney Jr. was like "Lock me up before I start killing the ones I care about", well as Paul starts boning his blonde friend, he accidentally transforms and eats her like a delicious mutton chop. It's handled in the most awkward silly way possible (the poster paint blood trickles over her nose). 

A lot of useless situations occur (blah blah, more boring dialogue) and than the wolf goes out bitch-smacking gypsies in the dead of night, it's pretty hilarious! The stop motion werewolf effects look almost identical to the ones you've seen in other PN films, they're so similar that it reminded me of how in He-Man, they constantly recycle the "Greyskull footage" over and over ad nauseum.
Come on wolf, you're making us canines look silly!

Later on, he gets down to some fornicating with the other blonde (who looks like a more Latina Catherine Hicks). I like how whenever the moon is full, they play this synthesizer ZIIIINNNNNNGGGGG noise, that wouldn't sound out of place in an 80's videogame. Even though I've had terrible sleep inducing moments with this director's work, I must be a glutton for lychanthropic punishment because I'd watch another one just to see how wacky it is. Naschy has that effect on people that loathe him and die hard fans who know what to expect and love his style, it's irresistibly inept.

Citizen Kane, you say? More like Orson Welles doing Paul Masson Wine ads, completely drunk off his ass (Drunk Outtakes). 


Did you fall asleep under a rock again?

Wednesday, March 25, 2015


Vendetta Directed By Tony Leung Siu-Hung, Starring Kent "Fatty" Cheng Jak-Si (1993). 

--Review by Goat Scrote--

     This is a goofy and violent Hong Kong supernatural flick. Elevator pitch? Home Alone meets The Omen, with a dash of HK crime-movie action for flavor. I had fun watching it, although it’s not as bloody, raunchy, or effects-laden as I expected and there’s no particular quality of the film that really stands out. It’s a pleasant diversion for fans of this kind of thing, but it’s not worth going too far out of your way for it.

     The movie centers around clean-cut pregnant couple Kitty (Linda Liu Shui-Chi) and David. David (Ray Lui Leung-Wai) is a cop, and in the line of duty he faces off with a trio of crazed thugs. The evil trio is a family, two brothers and a sister. I can only imagine the kind of parenting that led up to this senseless killing and looting spree. The thugs take hostages and end up surrounded by police. Just to be dicks, they pitch one of the hostages out a high window! A bloody slapstick gunfight follows and the two youngest thugs end up spectacularly dead at the hands of the young cop.

you've broken the windows with that nuclear fart!

     David sees phantoms of the dead duo, covered in blood, lurking in the hospital where his wife is delivering twins.  The cop has a vision of the killers taunting him from his children’s cribs. Animals go insane or simply drop dead when the babies are brought near. It seems clear that the children are possessed by vengeful ghosts.

no it's a homicidal infant!

     As Cindy (Cheng Chong) and Tony (Leung Sap-Yat) grow up they seem mostly normal, except they both have birthmarks on the forehead in the same spots where their father shot the thugs. They aren’t very nice to their dad, either. When they get a little older they begin trying to “accidentally” kill him. They manage to inflict a variety of minor injuries. Then they puncture one of his eardrums so he goes deaf in that ear. The husband finally recognizes that his own spawn really are out to get him, but his wife still won’t accept that.

Maybe you're just a shitty father?

     Meanwhile in prison the eldest brother, Hung Long (ha!) bites the fingers off a guard. He later uses the poor nine-fingered bastard’s wedding ring to pick a lock and attack more guards. When the TV news reports his escape, the little kids cheer and celebrate.

YAY! Our real dad is coming to bite off other appendages

     The cops find Hung Long (Tommy Wong Kwong-Leung), but he slaughters them and gets away. David manages to survive thanks to his bulletproof vest. Afterwards he carelessly leaves his gun laying around and takes a nap. The kids find it and nearly manage to take him out. He knows they are possessed, but he doesn’t know what to do about it. To make matters worse, he finds the corpse of his best friend, murdered and mutilated by Hung Long, who is looking for revenge.


     The kids are acting creepy as usual, and Mom ends up taking a tumble down the stairs and going to the hospital. Dad sets an improvised bomb in the kid’s room rigged to the light switch and sets other deathtraps around the house to prepare for Hung Long’s arrival. He locks the kids in their room and visits the hospital, which gives Hung Long an opportunity to get into the house and wait for him.

Yeah you need to go on a diet like me!

     The two get into an extended fight which ends when Long gets blown up. David pulls his dead children from the wreckage. They are both saved when his tears fall on their magic birthmarks. Lightning strikes all three of them, and the evil spirits are driven out of his kids, along with the birthmarks. They awaken, call him Daddy, and the credits roll.

Millie Vanilli were right, the rain does have magical powers!

     The version I saw was presented in four languages simultaneously. It had two sets of subtitles and each of the stereo tracks was in a different language. That was a little off-putting but the action made up for the confusing aural experience and the subtitle text running off the bottom of the screen now and then. Editor Notes: This one is a super rare VCD that Skunkape had to smuggle out of some treacherous locations, risking life and limb to procure a copy. A few years ago we reviewed a WIP title called Vendetta that's probably on par with the action in this flick and thankfully there's no scene with Sandy Martin hiding contraband in her cooch! There are seriously too many movies with this title, this one and the Bruce Logan film are my favorites.   

SORRY NO LINK (extremely rare film)

Thursday, March 19, 2015

Stone Age Warriors

Stone Age Warriors Directed By Stanley Tong, Starring Siu-Wong Fan (1991).

The first time I attempted to watch this scrambled quality film, I got a migraine and had to shut it off. The subs flew by at lightning speed and everything was too grainy. This director went onto super stardom when he paired up with Jackie Chan in his American debut, Rumble in the Bronx. According to Clyde Gentry III's book on Chan "Inside the Dragon", the actor was so impressed by what he saw in Stone Age that he hired Tong on the spot.

The version I watched on Youtube recently was easier on the eyes but still, it needs a re-release. In the catalog, Chas Balun really oversold this one, claiming it has "carnivorous lizards, face flesh-munchers and unscripted animal antics." Sounds pretty mind-blowing to me, so here goes my second attempt with this film.

Down in the jungles of Papua New Guinea (a perfect location for an Italian Cannibal film), pasty slow moving natives chop off limbs and ambush a group of Asian adventurers, luckily they have machine guns to battle flying arrows and sharp tools. The gore is super meaty but gets over shadowed by the squiggled video quality (if only I could see what's happening)! Now into the land of business and cubicles, a pretty black coffee drinking girl named Lucy is getting all emotional (the white on white subs make it hard to figure out what's happening). Lucy is played by Nina Li Chi from Tiger on the Beat.
Well at least I can read that!

This movie likes to get seriously continental and switches locations like people switch dirty socks because now we're in Japan. Miss Eko played by Elaine Lui Siu-Ling is an ass-kicking kung fu actress on the set, showing off her moves (she makes a mistake and they cut the scene). She gets an urgent fax from Hong Kong and must sign a form concerning her father who's lost in the jungle. She doesn't believe he's dead though and wants to find him. Now in Indonesia (where we don't see Lady Terminator make a special cross over appearance), they meet a pudgy travel agent who yammers on and on, while the white on white subs blend into each other. He's shocked when the mother and stepdaughter (which was just now established) are looking for Mr. Nakamura. Eko bribes the fat dude with a gillion dollars (she should've bargained more) and the annoying blended in subs continue. At this point I wonder if I'd enjoy this film more if I learned the language.

If you ever see that rotten shithead Plastic Man, tell him he owes me a royalty check

The chubby Asian man Eddy Comboli (this is his sole acting credit) reminds me of Plastic Man's cartoon sidekick Hula-Hula and is actually named Abdullah. They all climb up a hill and are surrounded by African natives (or "Stone Age Warriors").  Siu-Wong Fan, the actor who played Riki -Oh, the stone and bone shattering kung fu juggernaut; right after this dreadful film was finished plays Lung Fei the resident medic of the tribe. These natives seem authentic and kind of do war dances in the background while the main characters bicker.

I smash in jaw bones and tear out spleens for Jesus now

There are real Komodo dragons in this film and from what I've gathered from extensive research (Ha, yeah right), they have attacked humans and are powerful carnivores that hold down their prey and use red saliva which carry septic pathogens. You know, this movie is pretty tedious, when I start prattling on about reptiles.

If only some Komodo Dragons visited the editing room of George Lucas before the ruining of Episodes IV- Jedi

The jungle foley sounds they play are the same kind you'd hear at Disney's Parrot jungle. The two pretty girls sort of compete for the affections of the jungle medic and attempt some weak comedy.  
After Eko gets to the tropical wasteland, she hardly shows off her martial arts skills and instead becomes the kung fu medic's helpless heroine. He flies up a tree and catches her just in time, she narrowly escapes a native trap (this besides the real Komodo dragons is the most thrilling segment). Some WWF reject types show up and make the film a little more interesting. In the Sho Kosugi world, I'd equate STONE AGE as this directors 9 Deaths of the Ninja (which also takes place in the jungle) as his weakest effort. People really seem to love this film for some reason, which is baffling to me? There's a very wacky, high in the tree tops kung fu battle, that would be cooler if I could make out what's going on beneath the haze of video scramble.

but first let me wrench out this delicious nose goblin

During a scuffle, one female character sprays a goon in the mouth and covers him with whip cream (why they packed that is anyones guess), but it kind of reminded me of the end of Cut & Run when Michael Berryman is defeated by a fire extinguisher. 

Some scorpions show up and cause the girls to almost break the sound barrier in screams (possibly they were real)? The animal hijinks continue as gigantic komodo dragons make an appearance, they all feast on a real carcass and hiss at the girls, chasing them up a tree. Some WWF looking dudes it turns out have taken their father captive, they almost pierce his wife's lips together but then let her go. Also there's an abrupt topless scene with a girl who looks like an Asian female Gene Simmons and a Corey Haim clone who snorts coke off her tits (gross)!

I know I'm totally wasted but that is one crooked nipple

Obviously I was not as enamored as Chas was by this film, but what do I know? During the credits there's even a blooper real with all the crazy animals. I'd say if there was a pristine copy of this film, I'd give it another chance in 10 years but the storyline itself is sloppy and all the best elements don't ever get off the ground and kind of bump into each other. Tong is a really great Jackie Chan director however, he's just not cut out for exploitation jungle fare.  


Monday, March 16, 2015

What The Peeper Saw

What the Peeper Saw (aka Diabólica malicia, Night Hair Child, 1971)
Directed by James Kelly and Andrew White (Andrea Bianchi)

 Review By Greg Goodsell 

Freshly wed to successful author Paul (Hardy Kruger), Elise (Britt Ekland, Asylum, 1972) touches down in Spain to stay at her new husband’s isolated villa. She is introduced to her stepson, 12-year-old Marcus (Mark Lester), a precocious lad sent home from boarding school due to a “chickenpox outbreak.” We find just how dysfunctional the situation is when Elise receives a call from Paul, she marches into the bathroom while the nude Marcus takes a bath, the boy takes the call, and then casually reaches around his stepmom in order to fondle her breasts! It only gets worse …

Yes, is this the rape crisis center I've heard about from Robocop?

Conferring with her stepson’s headmaster (Harry Andrews, I Want What I Want, 1972), Elise learns that there was no outbreak. Marcus was sent home for various infractions, such as cruelty to animals and spying on amorous couples. Marcus is the “peeper” of the title, and Elise, poking about in her new home, finds a hole in the attic floor that facilitates Marcus spying on Paul and her while they make love. Paul disavows his son’s psychopathology as hearsay, and the screw tightens. Elise plays a game of “Strip poker” with Marcus in order to find out about his mother’s death, and the boy admits to killing her.

I want a Ponnyy!

In the film’s only effective scene, psychologist Dr. Viorne (Lilli Palmer, The House That Screamed, 1969) confronts Elise with what the audience has been in on since the very start: She has been sexually abusing the boy, and it is she, and not the boy that is in dire need of an extended stay in a room with cushioned walls. Elise is eventually sprung from the madhouse. There is a brief reconciliation between her and Marcus, and an abrupt shock conclusion.  

I'm stocking up for my Hawg party!

What the Peeper Saw is a deservedly obscure horror thriller that never gets off to a steady boil. There is lots of blame to go around. The sunny Spanish hillsides generate little suspense -- although director Pete Walker was able to wring tension in Die Screaming Marianne using a similar, bright Portugal backdrop in 1971 – and the daring subject matter is shot down by some inept performances. While gorgeous, no one would ever mistake Ekland for a terrific actress. In spite of his intimidating presence, Kruger does little but march around and barks out his lines. Mark Lester just isn’t into his role as a “Bad Seed”-style tyke, a shame as arrogant, British schoolchildren always make for reliable movie villains.

What the Lifeguard Saw

(Poor Lester had gone from the title role of the crowd-pleasing musical Oliver! in 1968 to this negligible shocker in four short years. He left acting altogether to tend bar in the late Seventies, although he returns to the big screen in the yet-to-be released 1066 this very year.)   

Who let the dogs out? Twas The Peeper!

A major culprit in this most tepid enterprise is the film score of the usually reliable Stelvio Cipriani (Baron Blood, 1972, Femina Raiders, 1969 and Nightmare City, 1980- being my favorites -ed). Cipriani plows through all the scenes with a bland, mellow jazz score. An otherwise terrifying vision of Marcus seeing his dead mother emerging from the family’s swimming pool is undercut by a light instrumental that is also reprised in the film’s shock ending.

Can you toss in some Epsom salts?

VCI has released What the Peeper Saw to Blu-Ray, but viewers won’t be able to tell the difference between the current presentation and a battered video rental. The visuals are grainy and under-lit, and the soundtrack is similarly muffled and murky.

The disc has 12 chapter stops and includes both the film’s theatrical trailer and a 30-second radio spot. Essentially yet another “killer kid” movie, What the Peeper Saw really isn’t worth seeing. 

Friday, March 13, 2015

White Dog

White Dog (1982)
Directed by: Samuel Fuller
Written by: Romain Gary (story), Samuel Fuller, Curtis Hanson (screenplay)
Starring: Kristy McNichol, Paul Winfield, Burl Ives
Review by "Machine Gun" Kristin

"White Dog" is about a mysterious German Shepard that struggling actress (with an amazing house), Julie (Kristy McNichol) accidentally hits with her car one dark night on a hill in Los Angeles. After rescuing him, by taking him to the emergency vet, she tries to find the dog's owner by posting flyers with her screenwriter boyfriend (Jameson Parker). She soon discovers though that the dog has a horrible behavior trait; he attacks black people.

Do the math!

 Julie seeks help for this by taking her dog to a trainer at Caruthers (Burl Ives) And Keys' "Noah's Ark" Zoo. Keys (Paul Winfield, who was also awesome in "Serpent And The Rainbow") attempts at reprogramming the dog after a fellow worker discovers upon an attack that this is a "white dog". A "white dog" is an attack dog solely trained by white racists to kill black people. It's an insane concept and racism is a super touchy subject with people. I'm sure this lent a hand in this film's obscurity despite it's famous cast. The NAACP were heavily against the film, which lead to boycotting. 

Mmm chocolate snasages 

Burl Ives hates RD2D!

I thought the dog, while huge, was so cute but he was also believable as an attack dog. There were many very tense scenes where you didn't know if the dog was going to jump at any minute. I sometimes feel that way around dogs, or really animals in general. They're not human, so no matter how friendly they may appear, there could be something else lurking around in their mind that is unjust. This is even dealt with in this movie, when Carruthers explains about a friend whose dog suddenly attacked him after years of bonding. A good example of this animal inner dialogue is weird French film, "Baxter", which is about a dog that kills people as well, although not racially influenced. 
Baxter? He's my French Nazi cousin!

Nobody can get Holly Jolly Christmas out of their head Nobody!

 "White Dog" presents a whole weird new perspective on racism that I haven't really seen before. It sorta creeps up on you in this film. Keys is attempting at undoing this misguided hate by breaking down this dog's one dimensional hatred against skin color. He does succeed in some form, but not 100% which is a real hard pill to swallow since it mirrors societies inability to not judge one another based on something not chosen. Prejudice is pure ignorance. I personally find it hard to believe that such a thing as racism still exists after all these years. I'm sure things are better now, (at least I sure hope so), but in 1982 when this film was made, there may have been more unfortunate racial tension. 

 "White Dog" to dedicated to the original story writer (first in "Life" magazine, then a novel), Romain Gary. He's probably best known for the novel "Lady L", which was also adapted into a film in 1965. 

Samuel Fuller and Curtis Hanson adapted this story. Hanson directed horrible sex comedy "Losin' It" which I love, "The Children Of Times Square" made for TV movie (which is on Netflix), "The Hand That Rocks The Cradle (which I saw in the theater with my mom) and one of the worst movies of all time, "Wonder Boys". "Wonder.." I wrote a hilarious movie review on for my 10th grade film class. I think I got a C. haha. Fuller is probably best known for "Naked Kiss" and "Shock Corridor" and has a pretty lengthy career.  Watch an interview with him here about "White Dog". 

There's a few great cameos (at least to me) in "Dog". Paul Bartel ("Eating Raoul", "Rock'n'Roll High School) is a camerman on Julie's ill-fated commercial shoot and Dick Miller (veteran character actor in millions of films) is shown at the zoo with a monkey. Fuller is listed in the credits as someone named "Charlie Felton", but I couldn't seem to locate him.

Fancy-schmancy, hit or miss, DVD/Blu-Ray company, Criterion thankfully released "White Dog" and it's available for purchase in their catalog. I appreciate the risks they take with releasing films such as this one, as well as unwatchable ones like as "Salo". 

I recently watch "Cat People" which reminded me a little bit of "White Dog". I think it just because they're both from 1982, involve zoos, cute central female characters and killer animals.

Watch the trailer:

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Tuesday, March 10, 2015


Rampage (Satanic Obsession) Directed By William Friedkin, Starring Michael Biehn (1987).

I was overjoyed when I found out one of my favorite videogames had been turned into a movie, Werewolves fighting giant Lizards and Kongs, a total monster mash ensued and it was even directed by William Friedkin! Wait, a second, I guess I must've drank too much or took hallucinogens and imagined the wrong film because it's total bullshit and doesn't exist!

This version will not be seen tonight or ever unfortunately

What we have instead is a serial killer film with Michael "Terminator" Biehn as a grizzled DA. After watching Wetlands on Netflix, I decided that maybe I've been neglecting what they have to offer (I mean I'm paying them all this money I might as well use their service right)? This is unfortunately not the Euro cut that Chas sold in the VHS catalog, but it's readily available without all the hassles and you get that instant gratification fix, which beats the old days of tracking down the flick on a duped videotape. So let me fire up some delicious coffee and subject myself to another kind of rampage that doesn't involve Toho style shenanigans but political intrigue and cold case files.
If you paid more than 4.95 for this sweet windbreaker then you got robbed

A Nightstalker-esque serial killer is prowling the burbs gunning down old ladies in their supposed safe and happy homes in Stockton Ca in the afternoon. I'd read all the horrifying details of Ramirez raping old ladies, shooting people point blank and forcing them to praise Satan during the day, while injecting heroin in Philip Carlo's excellent book on the scumbag serial killer. I donated the book because it was so harrowing that it felt like an omen to keep it in the house after I'd finished it up, a truly ghastly read. The killer in this film who I thought was Ramirez is actually based on Richard Trenton Chase, a real "Blood sucking freak". Chase would disembowel his victims, kill animals and blend their organs with soda then drink the shake because he was a hypochondriac and thought it would prevent his heart from shrinking. The killer died in a mental institution by saving up antidepressants and Oding.

Bro this is totally soothing 

The killer in this film is named Charlie Reese (Alex McArthur), he envisions himself a tiger smeared in blood, preying on the innocent. Meanwhile the protagonist played by Biehn, a Catholic church going detective goes about his daily ritual. His wife is played by Warriors/ Too Close for Comfort actress Debra Van Valkenburg.

no cyborg's will be able to recognize me in this Chris Hayes disguise

Anthony Fraser (Beihn) is haunted by the death of his young daughter and feels close to the subject matter. Reese is out disemboweling victims and shooting them in their homes next to their kids in the middle of the day. There's something almost bland about this film, it's handled in a Lifetime sort of way, almost like a rejected cop show pilot. It's mildly entertaining though and not bad, I could've done without all the over long court scenes. One prosecutor is played by Andy Romano, the dad from Over The Edge, he's pro death penalty but Fraser is one of those extreme liberals who believes it's wrong. There's a nice political message embedded in the storyline and as it chugs along he changes his mind.

I also spit in Agent Dale Cooper's coffee

Reece's mother is played by David Lynch mainstay Grace Zebriski, she always does a top notch job as basically a frazzled parent. Down in basement of Charlie's house, they find a shrine complete with Nazi paraphernalia, skin masks, human brains and Ufo stuff.

Polident works great, even after your corpse has been exumed!

According to the real case, Chase believed that Nazis were using spaceships that commanded him to murder and claimed it wasn't his fault. Since this was the 70's, sadly they couldn't have had the Ancient Aliens idiot Giorgio Tsoukalos weigh in on the case.

Hitler and Jesus, obviously tight bros from way back when

Early Cronenberg actor Nicholas Campbell interviews Reece's mother about her crazier than a "shit house rat" son. Beihn's character tries to leave his emotions out of the case, but they keep changing his perspective.          

Reese talks about Satan using backwards messages to make him kill, so Friedkin clearly used elements of the Nightstalker as well as Chase. There's a lot of grand standing by pudgy lawyers who want to manipulate the courts and Beihn hoping to get him put away and not live off the state in a mental hospital.
Is there something else you'd like to share with the rest of us Amazing Larry?

Then a trial occurs where every witness seems confident that he's a blood drinking ghoul. In a film like Lipstick, the court scenes are appropriate and propel the frustration of dumb juries and the justice system, here they just take up too much time and get stale.      

With Cruising, Friedkin created a nice balance of sleaze and political incorrectness or intolerance toward gays all in the context of a cop drama slasher flick. In Rampage however, the cop elements threaten to capsize the whole thing.

Alex McArthur, the actor who plays Reese does a great job, if only he had more screen time. I like how oblivious he is to people's reactions as he slits their throat or pulls a gun on them point blank. It gets pretty weird as he paints his face silver and dives into a stained glass window in a church, looking for more blood to drink (maybe he should've robbed a blood bank, Duh)!

Once Charles is convicted and found sane, he awaits the electric chair, but in the Euro-cut, he commits suicide before sentencing. Netflix strikes again with its cut versions of films! They did the same thing on Flesh For Frankenstein (here's the link for the Eurocut with the better ending in my opinion). I like how the murderer doesn't give the state the ghoulish satisfaction of executing him and it stays true to what happened in reality.

Reece's death by Anti-depressants shot from the euroversion

Even for 1987, this film does nothing inventive or ground breaking and as a capable police film director I know Friedkin to be, this is some pretty watered down bullshit. He just got worse from then on, I mean in that year alone some of the most original cop thrillers and action films were being churned out and made this film look hokey by comparison. The Believers, Robocop, The Stepfather all came out, so this film didn't have a chance. Rampage is weak but its not all together bad, it seems rushed though. It all went south for Friedkin, he made The Guardian soon after and then Jade (two embarrassments to any resume if there ever was one).

Lime flavored Slurpee was the source of his mental illness all along!

Give this film a watch though and see what you think, I half liked it but I think it had more potential than what ultimately came out.

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