Friday, January 20, 2017

American Nightmare



American Nightmare Directed By Don McBrearty, Starring Michael Ironside (1981/1983).

Haha, very funny Canada back in 83, how did you know even before Mike Judge that a reality show ape/ hemorrhoid faced clown would surround himself with a cabinet white supremacists, preach intolerance and dismantle the entire political system while everyone was too busy farting around on social media to notice. Actually that's complete bullshit, but you already knew that dear readers, this one is a Canuxploitation slasher that's number one selling point is that is has Alexandra Paul, the babe from Dragnet, Christine and Baywatch topless and acting super stoned and horny. She was also dating the director and this is her first role, but enough about her.

HACK, I swallowed a whole bag of Andy Capp Hot Fries while stoned

A rubber gloved john slices Tanya the hooker's throat, causing her brother to go searching for his prostitute sister. The Great White North just seems to have an over abundance of depraved half naked babes-- remember they shot Ilsa 3: Tigress of Siberia there and this one has all kinds of sleazy chicks. I learned a lot by reading Yum Yum of Houseofself-indulgence's review for this film. This was basically a time capsule of prime Toronto grime, when the streets were clogged with the legions of creeps on the level of "The Deuce" of the early 80s and 90s. Their grindhouse nostalgic domain was Yonge Street and The Zanzibar, which this movie preserves.
Everything about this one, so far, is like a zero budget ShowGirls. One stripper juggles naked in front of a poster for Connie Stevens Scorchy, another dresses like a cowgirl and they all worry about Tanya (Alexandra Paul's character).

obvious inspiration for Pink Floyd's double album A Nice Pair


Everyone is so fucking Canadian, why is it called American and not Canadian Nightmare? There's already a number of films with that catchy title, the most famous one to me being Buddy G's unedited cut of Combat Shock (which I ordered from Chas).

Michael Ironside shows up in basically the same outfit that he wore in Scanners, only its 3 years later. Ironside is never above showing up in trash, he was even in an episode of The Littlest Hobo, an 80's crime solving dog sitcom that was just mentioned on The Best Show as something to cheer us all up after the election. The murders are very similar to Maniac only the killer has no presence at all. The best part about this movie is that it's really sleazy and lots of skanks show off their assets.
One stripper played by Lenore Zann humps a pitchfork and she even carries it around off the clock as a weapon. Before this role Zann was in Visiting Hours, also with Ironside and Happy Birthday To Me. 

Peter Scolari from Bosom Buddies starting at his night job

Lawrence Day, the guy who plays Eric has all the acting style of a mannequin or Keir Dullea and his delving into the seedy underworld is sort of like Hardcore but very inept. There's a really offensive gay character named Dolly (Larry Aubrey) who seems to know everyone and I felt kind of bad when he dies. Aubrey appeared in the My Pet Monster live action video cassette special and The Vindicator, he's got quite a nerdy resume.

for Furries only

Through out the duration of the film, lurking in the background are all these dudes in tacky thrift store suits with buttons that save Uni-Save, which is a plot point that becomes very crucial toward the grand finale. I'm pretty certain it's making a statement that Uni-Cef is corrupt but I could be wrong.

holy shit it's a California Raisin in a Moe Howard wig!

There's graffiti and thought balloons that say Pink Floyd on the walls during some scenes, this movie is really stupid but it's enjoyable in its lameness. For a Giallo, which it's been called, man how did I let that one slip by, it's still very accessible and succeeds in that area. There's even some surprise incest, which really came way out of left field. A lot of times I judge a film by the last 5 minutes, if I'm on the edge of my seat like I was during Lipstick (which I've got to review, it's an amazing film that Skunkape turned me onto a few years ago), then I know it's a must see. It gets really bizarre toward the finish line, I advise you to stick it out and if you're bored and give up, I think you'll regret missing the big climax.

MAX RENN WOULD WANT TO GET THIS ON CIVIC TV PRONTO AND ADD HARDCORE INSERTS.

Tuesday, January 17, 2017

Sudden Death

-Reviewed by Skunkape-
Directed by Sig Shore (1985)
Sudden Death is one of those rape/revenge flicks, it doesn't really stand out among some of the greats that we know and love here at TOG, like Lipstick, Rape SquadNaked Vengeance, and certainly not I Spit on Your Grave, but it does have a few worthy moments of greatness. By "worth moments of greatness", I mean scenes of filth and carnage.

"Let's just have a romantic evening at home with a Deathwish marathon."

So how did Sudden Death show up on my radar? Glad you asked! I was watching the film Galaxy aka Battle for the Lost Planet. Galaxy's a super low budget sci-fi post apocalyptic space oddity directed by Brett Piper. Piper's an effects guy and you may know his work from Troma's Nymphoid Barbarian in Dinosaur Hell, he designed the Tromasaurous! So Anyway, throughout the feature I couldn't take my eyes of the female costar, Australian beauty Denise Coward. I had to see if she was in anything else worth watching and here we are, Sudden Death.

"Is that the Cash Cab over there?"

The movie opens with it's own cheesy title song Sudden Death, I love it when the song and movie title match!  Really pulls me into the film. Once the theme song fades out, Sudden Death wastes no time getting into the rape. While Valerie Wells (Coward) is at a travel agency planning her honeymoon with her future fiance, two criminals hijack a cab. When the couple parts and kisses each other goodbye for the evening, you'll never guess what taxi Valerie flags down. She hails the stolen cab, the two crooks pull her in to brutally rape and beat her, then she's left for dead on the sidewalk. This all in the first 10 minutes of the film and we now have a new Valerie taking shape as her rage builds inside. Her fiance tells her to try to forget about it, while still hospitalized and incentive cops ask her to answer embarrassing questions. Such as "Did they penetrate you? In the Vagina, rectum, or orally?" It's enough in my book for her to purchase a fire arm and start gunning down any sleaze ball that puts their grubby paws on her. And that's exactly what she does!

"I bet you'll start using Uber now!"

"Can I get more Jell-O please?"

"I''ll catch the bad guys and get some brownie points."

There is one cop, Detective Marty Lowery (Frank Runyeon) that feels for her and is on the case. He's tracking down these scum bags and won't rest until he catches them. It's quite obvious this policeman has the hots for this honey and wants to stay close to her. Valerie is also hunting for these creeps but who will find them first?


"You buy the General Lee replica horn and I'll get some of those rockets."

"Get this cause,
There Is No Place - No Time, When A Woman Alone Can Be Safe!"


Valerie hits one sleazy hot spot after another. One leather clad guy picks her up and instantly tries to force himself on her while back at his run down apartment, this results in multiple bullets right in his torso.


"This is my kind of safe sex!"


Her most dangerous encounter occurs when she's mistaken for a prostitute. A pimp and a really kinky john decide that they want to double team her in the back of a van. She barely gets to her gun in time, luckily shooting the two heathens.


"Aren't you going to buy me dinner first?"
The most surprising situation is when a legit cab driver takes her to a bad part of town and tries to inject her with heroin so he can give her his tip, and perhaps more! All these killings start making the local paper as well as the news. The bullets she uses for the gun are expanding bullets known as dum-dum bullets so she is known throughout the city as the "Dum-Dum" killer. She can't even catch a break and get a cool vigilante name from the press!

"You're no Judd Hirsh!"
Dum Dum the bullets, not the lollipops.

Even though Detective Marty discovers Valerie's the "Dum-Dum" killer, he keeps her secret safe and when he does figure out who the two rapists are, he sets up an operation to put them away, or is it "blow them away?", for good.
Sudden Death has the tagline "The First Woman Vigilante", and "ACTION GOES INTO OVERTIME", oh wait sorry, that's the Van Dam Movie with the same title. This also has another tagline, "Don't Mess With This Dirty Harriet", which is pretty good even though Valerie is clearly channeling about 80% Charles Bronson and only 20% Clint Eastwood. The Soundtrack is nothing short of pure 80's break dancing style segue way music. I haven't been able to track down the Sudden Death theme song by Bloodlines but there are some other decent tracks to be heard in this movie like New Order's Confusion.


"I didn't expect you to look that good nekid!"


What started out as a run of the mill rape revenge film, having a dopey made for television feel to it manages to sleaze it's way into my heart, with more than enough F'd up moments to make this a worth while watch.
Denise Coward gives a strong performance transforming from successful career woman to ass kicking scum bag exterminator. We don't ever really get to know her assault-ants to well but enough to know that they deserve what they get.
6/10 ON THE CULT-O-METER
SEE IT, if a fan of the genre.

PLUS,  don't forget to follow me on twitter and Theater of Guts, of course!

Wednesday, January 11, 2017

Wilczyca AKA She-Wolf (1983)

Wilczyca AKA She Wolf
Directed by: Marek Piestrak
Starring: Krzysztof Jasinski, Iwona Bielska, Stanislaw Brejdygant
Review by: "Machine Gun" Kristin 


Boy did I want to like this one! The opening to similar to "Don't Torture A Duckling", with horrific images of animals eating one another. In this case, a bird picks at a dead, mutilated horse, that looks much too realistic. Matter of fact, there are many scenes of animal cruelty in this that are pretty questionable. Are they real? Are they not? Horses basically scream like crazy in one scene and a dog looks like he's really hurt. The rarity of this film makes it difficult to trace the origins of its creation, so we don't know for sure if there were any animals actually hurt in the making of this movie.


I chose to watch "Wilczyca" solely based on the poster artwork. I know, I know, that could totally go either way. I know I was definitely duped by the Giallo film, "Eyeball". The poster is crazy! So of course, how bad could it be? Well, it stunk! haha. I've even done a past review here on TOG for it. Here in "Wilczyca", we're in Poland, which is unusual within itself. I don't know of too many Polish horror films in particular. They certainly run the gamut on insane poster artwork though. I guess I should've let that be a hint as to the incoherent storytelling I was about to suffer through. I actually did some reading of other reviews after I watched it, which I never do because I don't want to influence my opinion of a film before I start writing. In "She-Wolf's" case, I had to because I had no idea what was going on. There is so much regional, political back story that I didn't understand the events taking place much. There's a pretty concise review on Braineater that explains the plot completely. Even so, it still doesn't save this movie.



From what I could dig up research wise, those who are familiar with the Polish language have pandered the subtitled adaption to be pretty inaccurate in some spots. I'm just thankful that there's any attempt at a translation. I've watched a few movies in the past, (such as a VHS copy of "Cristo Te Ama" which is a 1970s drug infused Mexican exploitation film), that had no subtitles at all, so I had to sort of connect the dots based on visuals only. Apparently in "She Wolf", there's a scene where he refers to somebody as a "bumpkin", which is a goofy word to use within itself, but he actually meant something more complementary than that. Pretty funny. The main character, Casper is completely unlikable, scratch that, no one is likeable! hahaha. He beats his wife Myrna, who lays dying after after a botched abortion (scandalous!) in the opening scene. Casper's been away for months and has just come back. She says that she'll die like a bitch! Whoa! What a thing to say! Turns out, she's a bitch indeed-a dog, er, werewolf! She's even clutching a wrapped up paw from a wolf! Ewww! I guess the best thing to do when your husband is an asshole that beats you and then leaves you for months at a time, is to just pick up witchcraft to pass the time. I mean, hell, it's the 19th century, what else are you going to do? In a later scene, Casper's brother describes Myrna's bizarre behavior, while they're pulling her rough looking casket in the terrifyingly snowy backdrop. Other reviews of "Wilczyca" have described the drenched in snow scenery as "beautiful", but personally it creeped me out. It seemed like the most depressing place to possibly be. While they're burying her, the older brother (I forget his name), starts whittling a wooden steak and says nonchalantly that Casper has to hammer it into his dead wife's heart. Ughhhhh.



From here, the movie draaags. They introduce some more unlikable characters such as Juliet, who is played by the same actress as Myrna. I actually did not notice that until towards the end when Casper realizes it himself. The print of this I watched was pretty grainy, so that may have been why I didn't notice. Or maybe, I just didn't really care, haha. I'm sure there's more I could say about the actors, but I guess if you can't say anything nice, you probably shouldn't say anything.

Besides the beginning scene, the steak hammering and the real or not animal cruelty, the gore in this is pretty minimal. They basically save it all for the end of the film, which is a pity, because it's hard to say if anyone's even made it that far. Thankfully the film clocks in at about an hour and 38 minutes, so it's not excruciatingly long. "Wilczyca" has received some mixed reviews from what I could dig up. People seem to either love it or hate it. I can't say that I hated it, but I don't think I'm going to be watching it again anytime soon. It definitely did its job in creeping me out, but probably not in the way that the filmmakers intended.

RATING: 👨🏻👨🏻 2 mustaches!


Sunday, December 25, 2016

MICROWAVE MASSACRE



Microwave Massacre
Directed by W. Berwick. Starring Jackie Vernon, Claire Ginsgerg, Loren Schein, Al Troupe. (1983).

Reviewed by Michael Hauss


I consider myself to be a major verbal extremist, I drop more F-Bombs per day than some small third world countries or the latest Gangster rap CD release. So, political correctness is something that I don’t subscribe to. I am sensitive to other people’s feelings, but I have been known to open mouth and insert foot on a regular basis. I work with a bunch of people who find inventive ways to use the F word in every sentence and being around a bunch of likeminded verbal extremist, just fuels my F-Bomb creativity. Now, you’re probably asking yourself, what the Fuck is this idiot babbling on about and what does it have to do with the film in question Microwave Massacre? Plenty my fucking friend, plenty.





This film is from the 1970’s (Filmed in 1979, released in 1983) and it’s all about the political incorrectness in this joyous stab at cannibalistic sexual perversion among the deviants. Microwave Massacre is about a poor deadpanning slob who just wants to have a bologna and cheese sandwich when he gets home from his job as a construction worker. Donald (Jackie Vernon) never gets that bologna and cheese sandwich, he gets some Haute Cuisine that his flighty wife May (Claire Ginsberg) cooks up for him in her industrial sized microwave. All around Donald people are living, eating desirable food and having sexual relations. The problem with Donald is two-fold, while there is an issue with the food there is also deep problems concerning his sexual relationship with May or lack of sexual relations that is, that part of the relationship has been nonexistent for the last fifteen years and in their battle of putdowns and continual verbal sparring,  Donald snipes about May’s desirability, and May shoots some zingers back at Donald including the soul crushing line, that he’s a “Walking contraceptive.”

One night after getting drunk at his favorite local bar, Donald returns home late and May has created another gastric disturbance. Donald after being denied that bologna and cheese again, becomes drunkenly enraged and after urinating on May’s couch in her plastic home reality universe, he attacks his wife in her beloved kitchen while that industrial sized Major Electric microwave looks on in gleaming, chrome consumerism. Donald bludgeons May to death with a salt shaker (Vernon's character has enough sense to throw some salt over his shoulder to try and negate that old bad luck). The next morning Donald awakens late with a massive hangover, and while looking about for his lunch, checks out the microwave and finds that, “Ma-Ma-Ma- May is in the microwave.” The deadpanning Donald turns to the camera and says, that’s the way May “Would have wanted to go…. slow broil.”


Wait for the ding before serving!

The star of this film is the world renown comedian Jackie Vernon, who had a sparse number of movie and television series credits, but did appear on a host of variety shows, with many funny appearances on the old Dean Martin show. For those who have never seen Microwave Massacre, I implore you to close your eyes and wait for the first lines uttered by Vernon in the role of Donald and let your brain quickly scramble to figure out why that voice sounds so familiar!

It is odd hearing the voice of the beloved Frosty the Snowman saying some outrageously raunchy politically incorrect things! Donald after his killing of May, cuts her body up and places the parts into the fridge in the garage to cover his dastardly crime, but keeps his wife's head displayed in the fridge. That very night Donald stumbles out of bed for a midnight snack and bites into a piece of meat that he had taken from the fridge to make room for May and unbeknownst to him, he bites into a piece of his dead wife and finds that he enjoys the taste of flesh.


HAPPY BIRTHDAY! I'm gonna carve the roast beast, wait wrong fucking TV special?!

Donald meets a prostitute at the bar and being the naïve non-sexual being, does not realize that the woman whose name is Dee Dee Dee is indeed a lady of the night. On the way to Donald’s house Dee Dee Dee tells the dour-pussed Donald, that she was named Dee Dee Dee because her mother stuttered. At the house, Donald, can’t seem to get over his sexual impotency but then something snaps and after a quick two minutes, Donald smothers poor Dee Dee Dee and afterwards he carries her dead body into the kitchen and proclaims to no one in particular, “I’m so hungry I could eat a whore!” Now think about that for a minute, ole’ Frosty the Snowman is ready to cut into a dead prostitute and devour her in a cannibalistic frenzy, and old fucking Frosty the Fucking Snowman just said, “I’m so hungry I could eat a whore!” Let that stew in your brain for a minute, a beloved figure even if only in voice is a whore devouring, deadpanning cannibal. I was equally shocked and amused with the visual fantasy scenario that played out in my head as old frosty went about killing women on the snowy terrain of that Christmas classic, a decidedly more perverse cartoon than Rankin/Bass had ever envisioned for that fat mass of frozen water who has become a holiday tradition.

Holy Shit! Karen you slut, this is Frosty shaming you for that gynecological spread you did for Swank.

Donald takes a bit of old May with him to work and after his fellow co-workers Roosevelt (Loren Schein) and Phillip (Al Troupe) get a taste of the meat, unbeknownst to them they develop a bad case of cannibalism. The film moves from scene to scene as the robust Donald with his deadpanning naivety procures attractive female after attractive female and after sexual relations, eats them. The eating of a woman part is expanded a bit when Donald visits a psychiatrist with a heavy soul and the doctor snoozes through their session only to awaken at the end to hear Donald speaking of eating women in a non-sexual sense, which the doctor does not interpret correctly and tells him if it feels good do it. Of course, Donald is speaking in both terms of the phrase, but is thankfully never shown doing the sexual one, only showing the clothed Donald with his unwitting topless female victims. The ending I will not spoil, but a visit to his family medical doctor helps understand the ending, and ultimately May will have her revenge, with a little help from her beloved Microwave!


I'll never look at Frosty in the same way again!


Microwave Massacre is played strictly for laughs and does what very few comedy-horror films do, it keeps the emphasis on the comedy and never overplays its hand, reveling in its stupidity and never going into anything overly graphic in terms of blood or gore. It relies more on its ability to jab at our sensibilities with its political incorrectness and its total lack of scruples to amaze and titillate the viewers. I, for one love the film and think that it is an unique viewing experience, and needs to be discovered and rediscovered so it can take its place amongst other classic exploitation films of its ilk. The film does what it sets out to do and that is to never take itself seriously and to present a male who has a proclivity for human flesh and that inclination helps release his dormant libido. So next time your hungry for a bite to eat for your politically incorrect soul, bite into this fleshy presentation from the great team at Arrow Video. 

Frosty, tell us one more time about your cannibalistic urges, the urges that finally motivated your pole North!.

Now on to the release by Arrow. The film is presented in the aspect ratio of 1:85:1. The Blu-Ray/DVD release of the film is loaded with special edition contents including; Brand new 2K restoration from the original camera negative. High definition Blu-ray (1080p) and standard definition DVD presentations. Original Mono audio (uncompressed PCM on the Blu-ray). Optional English subtitles for the deaf and hard of hearing. Brand new audio commentary with writer-producer Craig Muckler, moderated by Mike Tristano. Brand new making of featurette including interviews with Mucker, director Wayne Berwick and actor Loren Schein. Trailer. Original treatment and 8-page synopsis (BD/DVD-ROM content). And an informative and outstanding booklet on the film by the film historian Stephen Thrower.

Check out this big box phone cover for Microwave Massacre that's guaranteed to melt you brain. 

*Please look for my upcoming interview with Microwave Massacre producer and actor Craig Muckler in Wengs Chop # 10. If that’s not enough look for an upcoming review of the film for Exploitation Retrospect #53.*

Tuesday, December 20, 2016

Diabolical Inheritance



Diabolical Inheritance Directed By Alfredo Salazar, Starring Margarito (1994).

Man I gotta watch more Telenovelas or at least ones as demented as this shit! I was raiding the mondo exploito.com archives and came across what looked like a midget in Ronald Mcdonald greasepaint mugging at the camera with a toothy smile, based on that alone, I was sold! I knew I had to put in the call to my number one dealer in hard to find off the beaten path wackiness, Mr. Skunkape. Of course he never lets me down and is the reason this site has stayed afloat for all these years. I do the finger clickity clackin', he does the movie trappin' or something like that. I mean I can’t find everything on Fandor or back alley Salvation Army dumpsters.

The production values are low as fuck, we're talking Fisher Price camcorder style. There's a hideous sex scene that's heavy with shadows layered upon more darkness and confusion, but stick around no matter how tedious the storyline gets because there’s a Grimace cookie waiting for you in a pile of fetid fly covered $ menu cheeseburgers.


I got the dia-beet-tus

It takes place in Mexico, which is oddly topical now considering there’s an authentic Oompa Loomp clown now residing in the white house and all the intolerance toward Latinos. Don’t worry I refuse to go on a political tirade, there’s years of that bullshit everywhere else online. It's even more relevant with the rise of scary clowns making an appearance in different areas and frightening the shit outta people lately. And there's the endless debate whether Guy Fieri, the singer of Smash Mouth and ICP are all the same person, but that's another story. Anyway on with the review.

Clown lives matter Yo!


After Tony’s Aunt croaks, he inherits a creepy old mansion, a pretty typical set up for a haunted house movie but this one really delivers in the unintentionally funny department. There’s lots of slow-mo falls over buildings, down stairs and Margarito Esparza Nevares, the elderly little person who plays the doll is terrifying. He carries the entire production and does a genius job, sadly Margarito just died a few months ago.

used to be available for parties and school events

Tony (Roberto Guinar) scoffs at his girlfriend fretting over the attic, which is filled with demon masks and Satanic bibles. Red flags are waving all over the place, but nobody heeded the warning of course until it’s too late. The two women in Tony’s life are pretty attractive, one of them gets naked but you can hardly see her body, it’s encased in a squiggle fog of video haze. Later on after his girlfriend gets into a horrible accident he moves on real fast and ends up with his hot blonde secretary. They don’t have as much as a split second memorial, just some flowers are quickly placed on her tomb and then it’s off with his new lady friend—that’s cold blooded!

There’s one insane part where Roy, Tony's chubby cheeked Campbell kid looking son and his blonde sitter played by Lorena Herrera visit an insane park. This place is off the chain, there's nursery rhyme statues, actual monkeys swinging around next to ducks above a pond and a giant King Kong statue that moves and blinks it’s eyes—I almost did a spit take on my computer and fried the hard drive.

you know what would go well with my clown midget burrito, some plantains.

It almost gets into Black Devil Doll from Hell rape territory during a dream sequence, but that doesn’t pan out. The most skeeved out I reacted was when a a sleeping hobo gets gouged by a jagged bottle in the head by the short clown, I mean it was just fucked up, nobody deserves that kind of punishment!

While you're up can you grab me a fruit roll-up?


The nightmare fuel rapidly increases into a crescendo of cackles and video tracking shakes. At 1:20 minutes there’s just so much to enjoy, thanks again to Mondo Exploito for turning me onto this warped little flick! I haven't looked it up, but this seems like a prime Video Vortex pick, I'm guessing it will eventually show up on the roster and is just as demented and tedious as you'd expect but I dug every frame of it!

IF YOU CAN FIND IT, GO OUT OF YOUR WAY TO GET A COPY, MORE FUN THAN A HORDE OF CLOWNS FEASTING ON BEEF AND COCAINE!

Sunday, December 18, 2016

Movie Review: Evils of the Night (1985)


Evils of the Night Directed by Mardi Rustam, starring Tina Louise (1985).

"Space aliens enlist the aid of garage mechanics to procure local beach bunnies for blood transfusions and life extension experiments". 

While the above comes off like a droll TV Guide-styled parody of a grade-Z science fiction film, such a movie exists: Mardi Rustam's notorious Evils of the Night! Bad lighting, bad editing, inane plot, bottom-of-the-barrel costumes and humiliated movie and TV stars are dropped into the stew for a feature that has to be seen to be disbelieved.

After a twirling disco light lands at a nearby lake, said space aliens (Carradine, Louise and Newmar) abetted by some outer space lesbians, who hold hands and look knowingly into each other’s eyes -- commandeer a nearby hospital and begin to thin out the area's local youths. Paying two local grease monkeys (Brand and Ray) in gold coins to abduct the area's bimbos and stud muffins for unwilling test subjects, Carradine, Louise and Carradine begin a series of vampiric blood transfusions. The majority Evils of the Night literally takes place in a garage, adding yet another level of threadbare production value.

yeah but it's not just any garage, it's the cheapest in town!

Evils of the Night enjoyed a limited theatrical release in the waning days of the Drive-In and grindhouse. Its cult reputation would arrive once released to VHS, where drunken frat boys would chug beers, roll their eyes to exclaim, “Look, its Catwoman and Ginger from 'Gilligan's Island!' What the hell happened?” While he's listed low on the credits, disgraced actor Aldo Ray has a lot of screen time. A onetime matinee idol, Ray's name alone on a VHS box at that would serve as fair warning to keep on walkin', back in the day.

I need some more of that medical shit to endure this movie Bob! 

Where to begin? Aforementioned pros such as Carradine, Brand and company are inter-cut with adult video stars Amber Lynn, Shone Taylor, Crystal Breeze and Jerry Butler in some scene of nudity and soft-core grouping in the service of a slasher missing chase scenes. The gory climax is set in the aforementioned claustrophobic garage as the terrified teens mete out justice on their tormentors with electrical power tools. The end ….

can I get some of that poofy 80's hair cream rinse, I'm addicted!

Director Mardi Rustam, the producer of Tobe Hooper's Eaten Alive, reunited with that film's madman, Brand, to make something … memorable. Vinegar Syndrome's combo Blu-ray/DVD package is a vast improvement in audio and visual quality over the title's previous incarnations on VHS and DVD, but can't deter from the movie's countless indifferently framed and overly lit scenes.
Among the Vinegar Syndrome disc's many extras is the nine-minute mini-documentary “Alien Blood Transfusion.” Aged director Rustam, in a halting tone shares stories behind the making of the film. Rustam claims that one of the main inspirations behind Evils of the Night is The Day the Earth Stood Still (1951), a distinction it shares with that other woebegone alien invasion epic, Plan Nine from Outer Space (1959)! Shot on location in Agoura Hills and Malibu, this tidbit doesn't explain – with so many abundant beach locations nearby, why Evils of the Night takes place around a very stagnant lake surrounded by ugly, overgrown shrubbery. Rustam ends his chat by saying that he's going to sit down and rewatch the film for the first time in many years.

Other extras include optional English subtitles for the hard of hearing, as well as an isolated audio track featuring the soundtrack music and “new wave” songs of composer Robert O. Ragland. Even more substantial is a 93-minute version intended for television markets that appears a bit too racy to show before 11 p.m. on independent TV stations. There are also 24 minutes of outtakes, a TV spot and an incomplete, rough-cut theatrical trailer to round out the package. 

Whether approaching the title with bemused nostalgia or with fresh, astonished eyes, Evils of the Night is sure to leave many experiencing A Good Time with a Bad Film. 

BUY HERE

Related Posts Plugin for WordPress, Blogger...