Showing posts with label magic. Show all posts
Showing posts with label magic. Show all posts

Wednesday, May 15, 2024

Cthlulu Mansion


 Cthlulu Mansion Directed By Juan Piquer Simon (1990)

 

From the auteur behind two exploitive gross-out classics, Pieces and Slugs-the movie! This one has that bizarre ESL type dialogue where people sound “Murican”. This just makes an already ridiculous movie even more enjoyable. Simon has some duds in his career (entertaining ones nonetheless like Pod People aka Extraterrestrial Visitors).

 

I recognized  actor Frank Finlay from Lifeforce (1985), he plays a magician who incinerates his wife accidentally using Love-craftian magic. 

 

Doug Henning was my star pupil!


A middle-aged gang led by Hawk (Brad Fisher) sell coke in a haunted house ride. It’s an impressively ghoulish location, sort of like a run-down version of the London Dungeon.

 

Chandou the magician and his daughter Lisa (Marcia Layton) get abducted by the gang but they all finally end up at his mansion. Oh, and he seems to have a closed eye on the palm of his hand or some mutation that will pay off later.

 

that's just my skin condition, "DON'T MENTION IT AGAIN"!

Candy (Kaethe Cherney) a frizzy haired punkette says “I love Tuna” after biting into a sandwich.

Later on, she says “I bet you wipe your ass with 20$ bills”! Now there’s some choice JP Simon dialogue right there!

 

The punks throw darts at a painting of the magician's daughter, terrorize Chando’s mansion and generally create havok.


Lenora, the magician’s wife possesses Candy and warns her husband that “Evil is Now Congregating” since he opened the portal!

 

I haven't seen one bloody tentacle, so let's call this Chandor's mansion



These giant Ed Roth style monster hands pop out of the fridge and drag in Candy. She was my favorite character but sadly she’s now in refrigerator heaven.

 

all the ratfinks and weird-oh model kits live in this fridge.

A detective who kind of resembles Billy Ocean gets killed then a bag of coke drifts over to the fireplace and bursts into flames.

 

One character gets in the shower and then drowns in blood. Hawk is later haunted by the ghosts of the victims.

 

Eva suffers the same fate as Bobby Joe from Evil Dead 2. Tree vines cover her body and dissolve her. I enjoyed this one more each time I watched it and that was twice. JP Simon has some clunkers in his catalog but this is certainly NOT one of them. Well worth owning on blu ray.

I guess for me it's a tie between The Rift and Trumpy aka Pod People/Extra-terrestrial visitors for worst.


excuse me?



Thursday, December 21, 2017

The Devil's Rain (1975)

The Devil’s Rain (1975, dir. Robert Fuest)
Review by Goat Scrote
     We imps at TOG Laboratories have been busy preparing the way to Armageddon for quite some time now. To commemorate our 666th article, we’ve summoned a slice of 70s Satanic cinema so ripe n’ cheesy you’ll think you’ve landed in one of the moister, smellier crevices of Satan’s underpants. “Devil’s Rain” is a stinker but it’s got a ridiculously excessive finale which is worth seeing just for the jaw-dropping amount of slime involved.
Mork calling Orson.
     If you don’t have the patience for the slow pacing and laugh-inducing "action" sequences characteristic of the 1970s, you should still tune in for the fun splatter of the climax starting around the 74 minute mark. You don’t need to understand what’s happening plot-wise to enjoy the best things about the finale. It's a gooey rainbow of B-grade horror silliness as eyeless cultists dissolve into puddles and a regular dude wrestles with the devil. If they’d made the slime red instead of green, this might have been an R-rated grindhouse classic. As it is, it’s a mostly-bloodless 70s PG with a lot of melting zombie-flesh at the end. The effects department must have gone through hundreds of gallons of goop for that oozing, dripping, drizzling payoff.
Insert obligatory semen joke here.
     At the high point of his career, director Robert Fuest made two psychedelically schlocky Vincent Price classics, “The Abominable Doctor Phibes” (1971) and “Dr. Phibes Rises Again” (1972), as well as a couple of other cult classics. “The Devil’s Rain” was such a rancid flop, however, that it killed Fuest’s film career deader than an unbaptized virgin goat at a Black Mass. Fuest was banished ever afterward to the land of TV. Yes, the wretched stink of this movie was so severe that it canceled out the pleasing patchouli aroma of both of the super-swingin’ Dr. Phibes films.
Don't they sell these at Spencer's Gifts?
     Then there’s the curious fact that the filmmakers consulted with the actual Church of Satan while making this film. I imagine they did this partly to stir controversy for attention, and partly to pretend that there was some kind of legitimacy to the supernatural story which the writers had cooked up. They even gave cameos to Anton and Diane LaVey, self-proclaimed High Priest and Priestess of Satan's ministry on Earth at the time. I’m sure the LaVeys were very happy to collect their paychecks and soak up the free publicity on top of that, because why the Hell not? I can't help but imagine Anton LaVey casually reeling off inane occult nonsense with his trademark grim and frightening theatrical demeanor, then laughing cheerfully all the way to the bank.
Leaked! You'll never believe who they've cast as Dr. Fate
in the upcoming Justice League sequel!
     “Devil’s Rain” has campy performances from a reasonably well-known cast which includes Ernest Borgnine, Eddie Albert, Ida Lupino, Keenan Wynn, Tom Skerritt, and extra-large douchebag in human form William Fucking Shatner. Spoiler alert, in this one Shatner gets his punk ass whupped severely, and I found that ass-whuppin’ profoundly spiritually satisfying. Is that wrong?
I love my seventies porn collection.
     Even though Ernest Borgnine plays the villain, he is the real hero for me because he seems to be the only person on screen trying to make a movie which is not boring. He knows he is making a bad movie, for sure, but he still does what he can to make it an entertaining bad movie. I like his hammy, melodramatic performance as the manipulative cult leader who can shift from politely folksy to gleefully wicked to quietly sinister whenever it suits him. It's not nearly enough to counteract all the boring parts, but any time Borgnine is chewing scenery the movie is a lot more fun.
Anyone who sold their soul for this movie
is definitely entitled to a refund.
     I've saved the biggest star for last. This pile of eviscerated sun-bloated hog bowels disguised as a film holds the distinction of debuting an unknown young actor named John Travolta. He doesn’t speak and you never even get to see his whole face, so don’t get too excited. You may also be interested to know that the set of “The Devil’s Rain” is where the larval actor had his first introduction to the cynical money-making machine which calls itself Scientology. That's two, count 'em, two separate real-life cults with connections to this movie!
Can you spot the Travolta hidden in this picture?
     The opening credits roll over close-ups from paintings by Hieronymus Bosch (c. 1450 - 1516 CE) depicting vast hellscapes full of creative and awful torments. If only Bosch had made horror movies. His paintings prove that he was very good at crafting disturbing, surreal, gory, and grotesque religious imagery. He was also good at straight-up vicious torture porn. Whatever he filmed it would have been better than the shit I’m watching today, I just know it.
"Texas Chainsaw Massacre: The Very, Very, Very Beginning"
A Hieronymus Bosch Joint
  The story begins with a fierce thunderstorm lashing a house out in the desert. Inside, frumpy and anxious Mrs. Preston (pioneering director, writer, singer, and actress Ida Lupino) is dressed in what appears to be a pink checkered tablecloth. Don't let her role fool you, she was one of the toughest, most determined, and smartest people in Hollywood during the 50s. Mama Preston frets about her husband, who is many hours late. Her son Mark Preston (William Fucking Shatner) returns from a search empty-handed. Moments later his father returns on his own, but all is not well.
This is what I get for adding
Bill Shatner to an overpopulated world.
  Papa Preston (George Sawaya) has misplaced his eyeballs and his face is slowly melting. He delivers a message from a villain named Corbis, who is waiting in a nearby ghost town. Corbis wants the family to turn over a book of Satanic power which is in their possession. Then Papa Preston praises Satan and melts into sludge. I wonder if they shoveled him into a bucket for a funeral later on, or if they just let his remains soak into the mud for fertilizer? The movie sort of implies the latter.
This book of alien space wisdom has cured me of gay!
     Mark is drawn away from the house by a ruse and returns to find Mama Preston has been kidnapped. The aged family retainer (TV regular Woody Chambliss, who also played old Sgt. Pepper in the 1978 Beatles film) has been tied up and beaten senseless. This character is forgotten almost immediately after being introduced.
     Mark grabs a pistol and an amulet of protection, jumps in his station wagon, and heads out to do battle with the forces of darkness. He arrives at the ghost town and Jonathan Corbis (Ernest Borgnine) pops up out of nowhere to have a friendly chat.
Borgnine starts the hoodie-and-medallion look.
     Corbis wants the book and demands to know where Mark has hidden it. They have a faith vs. faith challenge inside a creepy old boarded-up church. Within is a Satanic altar and some robed bozos chanting evil hymns to bad organ music. Cap’n Kirk prays his butt off to Jesus and friends, while Borgnine offers adulation to the ruler of the Bottomless Pit. Their competition over who can overact the hardest ends when one of the robed cultists reveals herself to be Mama Preston, now eyeless and enslaved to Satan. Mark loses his cool and shoots one of the minions. Green gloop oozes out and Borgnine makes fun of him for putting his faith in a mere weapon.
The power of Kirk compels you!
The power of Kirk compels you!
     Poor gun-happy Mark has lost the metaphysical battle, so the cultists strip him of his amulet and half his clothes, take him captive, and torture him for the location of the book. The cultists apply an extreme version of good-cop, bad-cop. Corbis torments him a while, then trades places with a seductress. She passionately kisses a willing Shatner… until he realizes that he’s actually slipping tongue to the eyeless, slime-filled, undead shell of his saggy-fleshed elderly mother! Ewwww, on so many levels... Judas Priest! I wish films and TV wouldn't have forced so many innocent people to kiss Shatner. He clearly doesn't get the basic concept and it's fucking embarrassing.
MISTER TAMBOURINE MAN!
     Meanwhile, at the lab of Dr. Sam Richards (Eddie Albert), he believes he is about to "unlock the key to ESP".  Tom Preston (Tom Skerritt) is the Doctor’s assistant and the youngest son of the Preston family. His wife Julie Preston (Joan Prather) is the subject of the psychic experiment. She has visions of bad shit going down involving the Satanic church in the ghost town. The Sheriff (Keenan Wynn) is busy with the aftermath of the big storm, so Tom and Julie are forced to investigate what happened to his family on their own.
Okay, I'll do the movie as long as I'm not in any
scenes with You-Know-Fucking-Who.
     Tom and Julie arrive in the ghost town toting a rifle. The church is dark inside except for the light from a stained-glass window which looks like a prop from a super-cheesy 80s heavy metal video. (That actually makes the window well ahead of its time, I guess?) That’s the only clue Tom needs to figure out that the whole mess is about devil worship. He's a genius. They find his brother's shirt in the church, then their car explodes in a fireball outside. When they run out to investigate, someone driving Mark’s station wagon tries to flatten them. Tom shoots at the car and it crashes, then he chases and fights the psycho cowboy who was behind the wheel.
     This movie has really unexciting action and unconvincing fights. Behold the magic of cinema.
HEAVY \m/ METAL
     Meanwhile, courtesy of Julie's psychic powers, we flash back to the olden days. A bunch of Satanists dressed like pilgrims in a Thanksgiving school play are plotting secret evil stuff. Shatner is one of the cultists. Corbis bitches about the lost book even back then, hundreds of years ago. The other cultists must be really sick of hearing about that shit by now.
Gee, honey, this B&B looks really... inviting.
     A bunch of villagers show up with torches, led by the Reverend of the town (Claudio Brook). Shatner is one of the Satanists, and his wife, Aaronessa (Erika Carlsson) has betrayed the cult to the Reverend on the condition that she and her husband be spared. The Reverend double crosses her and burns both husband and wife at the stake with the rest of the cult. Corbis is not impressed and talks Satanic smack to the crowd while the auto-da-fe proceeds. He isn’t tied to the stake, but he just dances around the pole and stays in the fire anyway. What a fun-loving kook! I don't care if he is evil incarnate, I bet Corbis is fun at parties. As long as no one mentions that dumb book.
     Back in the present, Tom and Julie take the station wagon to get away from the ghost town. On the way out Tom has a crisis of conscience. He decides to go back on foot so he can fight the magic-wielding cult single-handedly and rescue his brother. Did I write that he was a genius earlier? What a reckless idiot, that’s what I meant to write.
Driver, get me to the set of Phantasm!
     Julie drives on to fetch the Sheriff, but the mother-in-law from actual Hell takes a break from making out with her son to magically appear in the back seat. She abducts Julie with embarrassing ease.
     Night falls and the cultists march with torches, dragging a shirtless Shatner toward the altar. Tom is disguised in a cultist robe to infiltrate the evil ceremony. At the big Satanic altar, Corbis holds an evil freestyle hip-hop poetry slam. Check out his hype lyrics: “Let us behold the Father, the Ram of the Sun, the Moon, the Stars! Hail O Deathless One!”
Sucker MCs better watch their step.
     See, this is what happens when real Satanists write your Hollywood rituals for you. If you actually say that last bit out loud you could turn into an evil Satan-possessed goat-person, just like Borgnine does on camera, and just as I did many years ago. Ernest could afford the plastic surgery to cover up his mistake. I personally can't. You’ve been warned!
     Anyway, they finally break Shatner’s spirit and he turns into another eyeless goon. Tom gets spotted by his zombie Mama but he escapes to fetch more help, in the form of Dr. Richards.
This church-sponsored Easter egg hunt is a little "off" somehow.
     Dr. Richards and Tom explore the church and underneath the floor they uncover a giant Faberge egg with golden ram horns. It turns out the egg is full of souls captured by Corbis. The Sheriff appears again, now an eyeless drone, and Tom fights him hand to hand even though both men have guns. Tom wins, of course, but he and Dr. Richards are forced to hide from the other minions. One of the cultists sees that the magic egg is gone, but the heroes have left the Satanic book behind. WTF, idiots? You had one job, keep that stupid book away from Corbis! The cultist (John Travolta) runs off to give the prize to his master. The bad guys are super-psyched about this turn of events.
The golden fleece prepares to devour Oedipus,
just as it was foretold in the Necronomicon!
      The minions prepare to work their magic on Julie, but Tom jumps into the scene and brawls with anyone in a robe. Dr. Richards threatens to crack the eggy thing, which we learn is called the Devil’s Rain. Why in the world would it be called that? Zombie-Shatner gets his hands on the egg. Fortunately for the forces of goodness, Cap'n Kirk is able to overcome his Satanic enslavement and crack the Devil's Rain open.
Oh, you handsome devil.
     The roof blows out at the same moment, I guess because of the souls escaping. Actual rain, which is apparently not the Devil’s Rain, pours down from the sky. That just seems confusing, to have a movie called "The Devil's Rain" in which the only rain that falls is not the Devil's, because "rain" in this case refers to a magic blue egg full of dead people. Hey, don't look at me, ask Anton LaVey's corpse what the fuck this is about.
Give Uncle Satan a big wet kiss, Tommy!
     The rain melts the cultists and since this scene is where most of the budget went, the director spends a lot of time on the gooey, wailing deaths. Satan/Corbis is pi-i-i-i-iiiissed, but the rain melts him down even as he struggles with Tom. Then the Prince of Darkness falls into a hole and explodes because... um... reasons. Eventually the whole church explodes with no apparent provocation. It’s a sludgy mess of an ending. Then as a stinger, Julie turns out to be possessed by the spirit of Corbis and we are treated to a creepy scene of Ernest Borgnine hug-molesting Tom Skerritt.
     Whew, this movie sure does suck a lot! I still have fun watching most of Ernest Borgnine’s scenes, and of course I like the way it ends. If you're interested in this flick you might enjoy the Joe Bob Briggs commentary about it.
Should've gotten a flu shot, stupid.

Tuesday, September 26, 2017

Winterbeast (1992)

Winterbeast (1992)



Review by Goat Scrote

     This movie is a reality-melting batshit insane piece of outsider art, and I love it. Imagine if "Hausu" and "Equinox" had a funny-looking little kid who was very sweet and tried very hard but was just really, really dumb, and maybe a little chemically unbalanced like his mother. That kid is "Winterbeast". And yes that analogy seems oddly specific.

     A few scenes were filmed in 1986, the rest was filmed over two days in 1989, and it was released on video in 1992. A couple of the props were recycled from a Dokken video. It’s one of the most badly-crafted movies I’ve seen in a long time, and also one of the most fun.
A photo of my reaction when I saw Greedo shoot first...
     "Winterbeast" is one of those amazing and truly special crap-fests which is massively entertaining despite no budget, no Rifftrax, and no one involved having had any concept of how to make a movie. Even though almost everything about it is wrong, this movie is certainly not a dull experience. After I finished watching it the first time I wanted to watch it again just to confirm that this bizarre film really existed. I needed to know that those memories weren't the feverish hallucinatory product of my crippling addictions to toad-licking and gasoline-huffing.
...and my eyeballs bursting into flames upon first viewing "Phantom Menace"
     "Winterbeast" was written and directed by Christopher Tiesen. Really, Mr. Tiesen? You're trying to convince me that there was a script for this? You're trying to tell me that this movie was directed? I may be dumb, but I'm not stupid, buddy! It stars some people that I don't recognize and neither will you, unless you're a relative. I don't want to research this one, people, I just want to let the good vibes flow off the claymation and soothe my aching mind.
Rejected Masters of the Universe concepts: Hentai-Man
     "Winterbeast" makes no sense at all. Half of the scenes don't seem to connect to anything else in the movie and there's hardly any attempt at a coherent explanation of what is going on. The dialogue and acting is on par with the storytelling, although the prissy, scenery-chewing resort owner is fun to watch. This extremely camp villain dresses in loud plaid suit-coats and similar garish couture. His fashions are eye-punishing.
What happens when a Sleestak fucks a chicken?
     I tried not to analyze what was happening too much because I was afraid that might cause a brain hemorrhage. It all has something to do with a cursed Native American something-or-other, evil totem poles, and the effeminate white guy who is, I guess, summoning monsters to kill people for, uh, some reason? Or maybe that's not what happened at all. It's hard to be certain. There are two guys investigating what’s going on and they clash with the evil resort owner over whether to close the lodge down because of the danger, unaware that he is involved with the sudden appearance of the monsters.
This is what bath salts will do to you, kids.
     Lots of really weird and harmful shit happens to random characters about whom we know nothing, and everything else just seems to be there to string us from one bizarre monster attack to the next one. The hilariously crude stop-motion creepy creatures come in all shapes and sizes. There's a blue-skinned zombie, a house-sized reptile, a giant birdlike monster, a wooden Gumby lookalike, a silly four-armed living totem pole, and more. Each monster appears, kills some people, then just wanders off forever. I suppose they all retired to a life of peaceful contemplation and were never seen again?
Free hugs! 
     There is really no point in giving much more of a plot summary of this movie. It's an accidental masterpiece of surrealist filmmaking. Okay, not really, but that sounded pretty good, right? For fans of schlock who want to turn their brain off and be mindlessly entertained for a while, I cannot recommend this highly enough. The screen shots from the film ought to give you a pretty good idea whether you're going to be into this or not, so I will let the pictures speak for themselves. Peace out, or whatever the kids say these days.

Recommended!
Damn! Okay white man, you win, your pit stench is totes fiercest.
When did this turn into "Nightmare Before Christmas"?
Am I colorblind, or simply mad? I'll never tell!
Oh no! Mr. Bill!
Bye folks! 
Oh, what the heck, one more for the road.

Monday, September 4, 2017

Kung Fu Cult Master (1993)

KUNG FU CULT MASTER (1993)
(aka “Lord of the Wu Tang”, aka “Kung Fu Master”, aka “Evil Cult USA”, aka “The Evil Cult”)
Dir. Wong Jing
No title translation? That's racist.
Review by Goat Scrote

     “Kung Fu Cult Master”  has all of the essential ingredients I look for in a kung fu movie, which is actually just three things. I want lots of exciting fights, cool stunts, and badly translated subtitles. This movie totally delivers. Bonus points for wire-fu superpowers. Double bonus points for the fact that this particular film mixes vulgar dick jokes with the quest for martial arts enlightenment. 
     The movie was directed and written by Hong Kong legend Wong Jing, from the novel The Heaven Sword and Dragon Saber by Louis Cha Leung-yung (pen name Jin Yong). This novel has spawned several film versions and a TV mini-series. The fabulous Sammo Hung directs the action sequences, handles the fight choreography, and also has a part in the movie. Jet Li leads the cast.
Swords are crossed but balls aren't touching.
Verdict: not gay.
     Wong Jing’s public statements seem to mirror my feeling that no matter what other virtues or faults a film possesses, it absolutely must not be boring. The only way that a film (or any artwork) can truly fail is by failing to engage the viewer. By that standard, Mr. Wong rarely fails. In this case he has made a fast-paced, funny, weird movie packed with spectacle. “Kung Fu Cult Master” is a flawed but highly entertaining fantasy wuxia action epic. It runs too long and it’s very confusing, but it’s also a lot of fun and definitely worth a look.

     If you can accept that super-awesome kung-fu magic fights are happening, and you don’t need to know too much about exactly why they are happening, this is a movie for you. Some of the flicks we review are a real chore to watch over and over again, but I didn’t mind so much with this one. The plot is one of the most convoluted I’ve ever tried to review, and I couldn’t understand it until I found three different versions - an excellent English dub and two different subtitled versions - and watched them with a lot of comparison, rewinding, and note-taking. Figuring out who was who in the sprawling cast was a minor nightmare. It is really difficult to make sense of the complex political conflict behind the action, which involves at least ten different clans plus the Yuan government, all intriguing against one another.
I will now explain why I'm divorcing you
through interpretive dance.
     The thing to focus on is the personal journey of the hapless protagonist from bullied orphan weakling to ultimate master of kung fu. The epic scale of the movie remains grounded in the human story of a kid who’s had a hard life finally growing up by collecting kung fu “Ievel ups". I'm not sure that's very practical as a life lesson, but fortunately, I also don't care.

     The film begins with a lot of exposition. There are two main groups vying against each other. The “orthodox” faction is composed of six different martial arts clans allied under the leadership of Shaolin. The other five members are Wudang, Emei, Kun Lun, Hung Tung, and Wah San.

     The second faction is the Ming Sect, aka Evil Cult, aka Fire Clan, headquartered on Bright Peak. They are outsiders from Persia who want to bring down the Yuan government. The Ming Sect is led by four elders: Queen of Purple Dragon; King of White Eagle; King of Gold Lion; And King of Green Bat.


"My beard will eat your mustache."
     The minions of the different sects are conveniently color-coded, which is good because otherwise there would be absolutely no way to tell who is fighting whom. The Shaolin have saffron robes with shaved heads. The Wudang have blue robes and hair in topknots. The Emei are nuns who wear white or light brown. The Kun-lun dress all in brown. The Hung Tung wear red hooded robes. The Wah San wear black. The Ming Sect robe colors tend to match their elders’ colors, purple, silver, gold, and green, but one of the Ming armies also wears red so I don’t know what that’s about.
"Fame! I'm gonna live fore-e-ver..."
     The factions are seeking the knowledge contained in an artifact called the Lunar Scroll, which will make its possessor the greatest martial artist in the world. Two magic swords, Dragonslayer and Starcatcher, each contain half of the scroll. Dragonslayer is in the hands of the Golden Lion clan elder Tse Shun (Yan Huaili) of the Ming Sect, who slew its rightful owner. A wicked Emei sect nun called No-Mercy (Sun Meng-Quan) has the sword Starcatcher.
     One of the students of the orthodox Wudang, Chang Tsui San (Frances Ng) defies the rules and befriends Tse Chun of the Ming Sect. He also falls in love with the daughter of the King of White Eagle, Yan So So (Sharla Cheung). When Tse Chun obtains the Dragonslayer sword by killing its rightful owner, all three go into hiding on an island. There Chang Tsui San and Yan So So have a child named Mo-Kei who is the god-son of Tse Shun.
Portrait of the martial artist as a young man.
     The couple has come out of hiding to celebrate the 100th birthday of the Grandmaster of Wudang. A pair of kung-fu fighters known as the Two Jinxes show up (Leung Kar-Yan and Zhang Chun-Zhong). They ambush the family and take ten-year-old Mo-Kei hostage. The Grandmaster of Wudang, a fellow named Chang San Fung (Sammo Hung), flies onto the scene like Superman and tries to settle the situation down. When the Two Jinxes have the audacity to threaten the Master, he opens up a can of Sammo-sized whup-ass on them. The bad guys really ought to know better than to fuck with a 100-year-old guy who has white eyebrows down to his nipples. Haven’t these dumb fuckers watched Kill Bill? A serious butt-kicking ensues and I can already tell I am going to like this movie, because it is  full of wire-fu stunts and magic.
Want to see me crunch off the front of his skull
and slap his brain out through his face?
     The bad guys manage to hit Mo-Kei with a poisonous move called the Jinx’s Palm. The Grandmaster is away getting an antidote for Mo-Kei when the other five clans show up in force, each trying to leverage the situation to get their hands on Tse Shun’s magic sword.  The elders of the kung fu world and their armies of minions clearly have the advantage over Mo-Kei’s family. Mo-Kei’s father laughs at all of them and uses the power of pure spite to blow his own heart open all over his enemies rather than betray his friend.

     Mo-Kei’s mother tricks the elders into arguing amongst themselves, and lies about where to find the King of Golden Lion. She commits suicide while hugging her young son. She drenches him in her blood just moments after she tells him to avenge his father and warns him to never trust a woman. That is some fucked up parenting right there and psychiatry won’t be invented for a few centuries… so I guess you just walk off, little traumatized Mo-Kei.
This image haunts my nightmares.
     Whew. That brings us to the 15 minute mark, only 1 hour and 25 minutes to go.
     With backstory out of the way, the movie fast-forwards seven years. The grown up Mo-Kei (Jet Li) still suffers ill effects from being poisoned as a child. He lives at Wudang Mountain with Grandmaster Chang San Fung, the incredible 107 year old virgin. Sifu claims that retaining all of his sexual energy is part of his power, and he likes to talk about the outrageous throbbing potency of his morning wood.

     The students at Wudang like to bully Mo-Kei because his health prevents him from fighting back. His rotten cousin Sung Ching Su (Collin Chou) orchestrates the abuse. A visiting girl from the Emei sect, Chow Chi-Yu (Gigi Lai) joins in, playing a prank on Mo-Kei which leads to his being seriously beaten by the students. Sung Ching Su threatens to chop off Mo-Kei’s hand and murder him.
Mellow yellow.
     Without warning a mysterious woman in red shows up on the rooftops and helps Mo-Kei. She uses long chains binding her wrists together as weapons to fight with. He and his mystery ally are flung into a vine-filled ravine by Chow Chi-Yu with the power of the sword Starcatcher. Scummy cousin Sung Ching Su and sadistic nun Chow Chi-Yu cover their tracks by telling the Wudang elders that Mo-Kei was attacked and murdered by the woman in red, and they exacted justice by killing her.

     It turns out the woman in red, Siu Chu (Chingmy Yau), is sworn to serve the family of the King of White Eagle, Mo-Kei’s grandfather. Her hands are chained together because she offended White Eagle. Sleeping next to Siu Chu in the ravine, Mo-Kei wakes up with his very first boner and worries that he might have made her pregnant simply by getting morning wood in her vicinity.
You have successfully transmitted a baby into my body!
     A cannibalistic paraplegic with telekinetic kung-fu powers has lived in the ravine for decades. I couldn’t verify who played this part, but he is awesome. He flies around strapped to a giant boulder and makes all kinds of creepy threats. This section is surreal, funny, and just a little scary too. After Mo-Kei says he will never pollute his mind with the hermit’s kung fu, the magic hermit mind-rapes his own knowledge into Mo-Kei by clubbing him with vines and contorting his "student's" body. I don’t know how that works, but whatever. It turns out that this was the young man’s plan all along, since he knew about the hermit and what his powers could do. They fight and Mo-Kei is victorious.
Somebody hose off the 30 years of accumulated stink.
     Mo-Kei gets super glowy kung fu powers from the Great Solar School, the secret knowledge of the cannibal hermit. He becomes hard to hurt or kill, and he can shoot energy blasts out of his hands. This is also the key to completely curing him of the effects of the Jinx’s Palm. Now he can avenge his parents at last.

     At an inn, the pair encounters yet another mysterious woman, this one wearing a gold crown and leading elite Yuan government troops. Among her minions are the Two Jinxes, but there are far too many troops for Mo-Kei to start trouble even with his Solar Stance.
Harry Potter is so fucking jealous right now.
     Elsewhere, the elders of the six clans make plans to attack the Ming Sect at their headquarters on Bright Peak. The elders of the Wah Sah Clan (one played by Tenky Tin Kai-Man) are hilariously sleazy, letting slip their desire to steal both of the swords and molest the Emei nuns. The meeting is interrupted by one of the Ming Sect elders, the King of Green Bat, Wai Yat Siu (Richard Ng). He is some kind of living vampire. He can fly, drinks blood, and can turn into an actual bat. He is probably my favorite character in this movie, even though has a secondary part. He escapes and warns the Ming Sect of the coming attack by the six clans.
     There is a massive battle between the followers of the two factions. They use crazy cool battle tactics, nifty martial arts superpowers, magic, weird mechanical weapons, and more. The nun No-Mercy shows just how powerful a mistress of kung fu can be when armed with a magical sword.
BECAUSE I'M BATMAN!
     The Ming Sect has been warned to expect an assassin pretending to be the “dead” Mo-Kei, so when he shows up for real he ends up having to fight them with his brand new kung fu. Then No-Mercy recognizes him, and both sides of the battle are after him!

     Mo-Kei and Siu Chu are forced to flee to the tomb of the two masters who originally created the magic swords, a taboo place where the clans dare not follow. They find a monk there who reveals that he infiltrated the Shaolin 20 years ago, he’s working for the government, and he is using the Six Clans to destroy the Ming Clan. They fight and Mo-Kei punches the false monk so hard it snaps his fingers off. The injured villain uses trickery to make his escape.
"By the power of Grayskull!"
     Siu Chu helps Mo-Kei discover the secret of “Magic Stance” which is hidden in the tomb, written in Persian so that only Sui Chu is able to read it. The magic stance makes Mo-Kei even more powerful, since he is immediately able to absorb kung fu knowledge thanks to his Solar School upgrade. According to Siu Chu, the instructions direct the reader to deliver the secrets of the stance to Tse Shun. This raises the question of her motives. Is she also trying to find the sword Dragonslayer?
Meh, I've been on worse blind dates.
     Meanwhile the tide of battle turns agains the Ming Clan. Green Bat is injured, and White Eagle is impaled by at least half a dozen swords. He handles it like a boss, though, snapping the blades with his body and then pulling them out.

     Mo-Kei bursts through the wall like Kool-Aid Man and explains the conspiracy by the Yuan to make the clans fight each other. The Shaolin refuse to believe one of their masters was a traitor, and they send a champion to fights Mo-Kei. The good-hearted hero shows mercy after he beats the monk… so of course No Mercy steps up to the plate, because she fuckin’ hates mercy. Mo-Kei reveals his new Magic Stance by casually taking her sword, slapping her repeatedly, and cutting the chains the bind his friend Shiu Chu. The Emei continue to fight, and Mo-Kei is run through with a sword. This annoys him, and he blasts the offender away with chi power. The Wudang, out of respect for the honor and skill of their opponents, unite with the Ming to defend the injured hero. Mo-Kei entrusts the Wudang clan with Starchaser.
My eyebrows are invincible against your kung fu.
     The Ming Sect has a law that they must obey the master of Magic Stance, and they unite behind Mo-Kei as the new Clan Master. One oily advisor immediately appears from under a rock and tempts Mo-Kei with power... he could replace the Emperor! 

     The Wudang, while traveling home, are ambushed with a poison which steals their kung fu. All of the antidote in the town has been bought by one person, so Mo-Kei goes to Green Willow Villa where his true enemy is revealed. The leader of the Yuan government conspiracy is Princess Chao Min (Sharla Cheung, who also plays Mo-Kei’s mother!). She is  the woman he briefly saw at the inn earlier, commanding the Two Jinxes. She has been manipulating the clan infighting from the start. It appears that Chao Min has stolen the Starcatcher from the Wudang, but when the Ming elders try to recover the blade, it turns out to be a trick. The elders are exposed to poison which renders them helpless after they have traveled a short distance from the Villa.
Don't squeeze the Chao Min!
     Mo-Kei returns to confront the villainess. Chao Min gloats about the poison and performs a sneak attack with darts. Next she shoots spear-tipped strings from the musical instrument she is playing. The two go hand to hand and she proves to be a very formidable opponent. Mo-Kei throws people around Jedi-style, causes an earthquake, and strips off half of Chao Min’s clothes. She remains calm and composed the whole time, and demands that in return for the antidote he perform three favors for her, as long as they don’t violate his code of honor. Chao Min’s first spiteful demand is that Mo-Kei can never marry Siu Chu.

     The Emei nuns come across the helpless Ming elders. Siu Chu makes an agreement with No-Mercy. If Siu Chu can survive three strikes from the cruel nun, the Emei will spare the elders. Just as the lethal third blow lands, Mo-Kei leaps in to the rescue. Shortly afterward, the injured No-Mercy and the other nuns are captured by government troops.
No-Mercy and her Total-Lack-of-Humanity Dancers.
     The Shaolin turn out to have been slaughtered, and whoever did it left behind graffiti blaming the Ming. A fake Shaolin monk shows up at Wudang and attempts to assassinate Grandmaster Chang San-Fung. In the confusion, the scumbag cousin Sung Ching Su stabs his Grandmaster. Ching Su reveals he is working for the government. Government agents attempt to bribe the Wudang, but the injured Grandmaster fights them.

     Mo-Kei arrives and uses Magic Stance to go all Keanu Reeves on the government bad guys. He grabs their swords out of their hands with his mind and crushes them into a ball. Princess Chao Min shows up again and for her second favor, she demands that Mo-Kei refrain from using the Solar Stance or the Magic Stance while fighting the Two Jinxes. The Grandmaster gives him an instant Tai Chi lesson so he has a fighting chance. Eventually he prevails over the Jinxes in suitably melodramatic fashion.
Chime for me to send you to bell!
     Mo-Kei owes the princess one more favor. She wants him to come see her in the capital where she will allow him to fulfill his debt to her. It ends with this cliffhanger, and a whole lot of loose story threads dangling. Who is Siu Chu really working for? What happened to No-Mercy, Chow Chi-Yu, and the other Emei, Shaolin, and Wudang hostages? Will the swords be reunited and the secret of the Lunar Scroll revealed? Did they ever go back to help the crazy hermit like they promised? This movie was supposed to be the start of a trilogy but it wasn’t financially successful enough to earn a sequel and so we will never know what was in store for Mo-Kei.
Bonus nightmare fuel. Come sit on Santa's face!
Noooo-one expects the Spanish Inquisition!
Jet Li casts Cone of Cold on the Demogorgon.

Retroactive abortion is an actual thing, right?




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