Interview with Tom Skulan of Fantaco Enterprises

Tom Skulan 1982 (photo c/o of Roger Green)

Cranky here, No longer mentioning that I skinned the corpse of a certain 60 Minutes celebrity (his undead army of lawyers, shut me up)! TOG sat down with Fantaco CEO Tom Skulan, who was a crucial part in helping distribute Deep Red Magazine and the number one company that I ordered from every xmas in middle school. Their ads were always featured in Fangoria and any horror fanatic owes them a huge debt in fueling their collection, because they carried all the best comics, books and toys.   

Chas and some Italian fellow

1.When did you first meet Chas Balun

My first contact with Chas was through the mail. He sent me a copy of his self published GORE SCORE booklet and wanted to know if we would sell copies for him.

It was so well done and so funny that everyone at FantaCo wanted to list it in our Fangoria ads immediately so that was how things started. Soon I would regularly go out to CA and stay with Chas and Pat at their house and Chas and I would come up with book and magazine ideas together. It was a blast. A fun, creative slice of time that will never be repeated.

A Fulci zombie cover girl model

2. Talk about the impact of Deep Red Magazine on the horror community

Deep Red Magazine came along at the exact right time. Chas' popularity was exploding, the horror market was red hot and as publisher and advertiser we had the large circulation of Fangoria just waiting for something new.

The first 2 issues hit like a bomb. They were picked up by the usual collectors but were also carried by comic book stores and regular bookstores. In addition we had very good International distribution.

I attribute this directly to our ads in Fangoria as well as the extreme creativity of Chas. He was being viewed as the Forry Ackerman for the new crop of horror fans. Not that everyone liked Deep Red....or Chas. Several of the existing fanzines expressed negative reviews on the whole "Chas" phenomenon. More than a few of them would meet the wrath of the man who was a mountain! Either in print or in person! Chas was never ever one to hold back his opinion..

A great man that influenced so many

3.Talk about the early days of Fangoria and your relationship with them.

Our first Fangoria advertisement appeared during the magazine's second year of publication and we then continued to advertise in every issue for over 10 years straight. We were Fangoria's largest advertiser. I created all the ads and dealt directly with Rita Eisenstein. After a few years Rita became a good friend and I also met Norm Jacobs and the various editors of the magazine. I would often go down to their offices in NYC and go out to lunch with Norm and Rita. They were very fun times. In a very real way we grew up with Fangoria and vice-versa. It was an extremely positive relationship for both businesses. I stayed in contact with Rita for many years after we stopped advertising. She passed away a few years ago. She was a wonderful, brave, feisty and creative person and I miss her.

Books With Guts!

4.How did you meet Steve Bissette and please talk about Gore Shriek

I first met Steve when we published the original ALIEN ENCOUNTERS comic book in 1980, edited by Larry Shell. Steve had a story in the issue. It was always apparent to me that Steve was a cut above intellectually. His writing, his research and his sensibility was all completely different than the normal comic book artist.

A Steve Bissette story that gave me nightmares

As for GORE SHRIEK, well that is an entire interview in itself. A while ago Steve compiled a very good overview of the series and I would direct you to him for it. If you would like more specific information please compile some more pointed questions for me. GORE SHRIEK was my "baby". I created it and nurtured it for years. There is a lot to the story of GORE SHRIEK.

Balun drawn cover 

5.Talk about the early 80's horror community as opposed to now?

Oh what a difference between then and now!! WOW!!

Videotapes were just coming into the market and collectors were scrambling to find actual copies of those obscure horror films that they had always read about. $50, 60, 75, 90 and even $100 a tape were not unusual at all.  Fanzines were springing up all over the country. Fangoria was just establishing itslef and Famous Monsters was just going out. Movie stills and posters were hot.

A new crop of horror film books kept collectors begging for more.

Now? One word comes to mind for the younger fans: jaded. Horror fans are used to the highest quality special effects. ANY film from ANY date and ANY country is readily available on DVD.

On the back side, the older, original fans are delighted by the accessibility of the older films and often delight in collecting the schlocky titles right along with the classics.

The Xerox Ferox crew at Fantacon 2013. (Left to Right, Graham Rae, Steve Bissette, Dennis Daniel, John Szpunar and Kris Gilpin).

6. Please talk about Fantacon 2013 and the eagerly awaited debut of John Szpunar's book Xerox Ferox.

FantaCon 2013 happened because fans wanted it. I did it as a tribute to the fans that supported the past conventions and and supported FantaCo. Headpress- the publsher of John's book- was the first company to book space at FantaCon 2013. So the premiere of Xerox Ferox was cast in stone nearly 2 years before the convention happened.

John's book is a true phenomenon. I was in contact with John during the entire process. The sheer amount of work he put into that book cannot be overstated. He easily balanced the work of 10 people and at times was totally overwhelmed but in the end he created something that will last. He's a real trooper.

7. Talk about Tom Savini and his early connection to Fantacon.

Tom's first appearance at FantaCon was over 25 years ago (!!) in conjunction with Imagine. Imagine had published the wildly successful Savini effects book GRANDE ILLUSIONS.

Maniac era Savini with Joe Spinell and Mrs. Zito

In addition FantaCo published a set of GRANDE ILLUSIONS TRADING CARDS with Imagine. Tom came to FantaCon 1988 with Bob Michelucci from Imagine. Tom was a huge hit at the show, doing special make up effect demonstrations on attendees. Those demonstrations are still talked about to this day!!

Tom Skulan, artwork by John Hebert.

Thanks alot Tom and also special thanks to Roger Green for letting me use some of his photos. Green ran Fantaco for a number of years and is now a business librarian. As always thanks to John Szpunar for helping out too.

Evil Dead Trap

Evil Dead Trap (Shiryō no wana) Directed By Toshiharu Ikeda (1988).

   Nami (played by Miyuki Ono) the news anchor antagonizes her audience by daring them to send in a hilarious video bordering on snuff,Bob Saget tried this at one point with frightening results. She receives a Videodrome inspired tape of a girl tied up and tortured, ending with a wicked eyeball puncture that includes Nami's image spliced on the end. She takes her media crew riding around in the country side, avoiding stray dogs and enjoying burgers. They all end up at a sinister abandoned factory. The Phantasm-esque/ Tubular Bells, piano theme is pretty great! 

   A cataract sunglasses wearing villain appears in the shadows, is he responsible for the tape? Is he leading Nami and her team to a trap (a copyright infringement ℅ Sam Raimi's Lawyer's style Trap)!? Not sure yet.

   It's not very clear to me why they are lurking around the abandoned factory and they should leave, but of course they stay! None of them are tracking anyone down, they just figure that "Hey this is the scary factory from that snuff video, Let's stay awhile!"
   Two of them even have sex (Wait this is Evil Dead not Friday The 13th)!                          
   There are some long shaky tracking shots like the invisible Candarian demon from said Raimi flick, but other than that this film is pretty original. 

   This factory has its share of creepy crawlies, including maggots that drop from the ceiling (Suspiria style) and snakes that seem to grunt instead of hiss. 

   One girl named Rei (played by Hitomi Kobayashi) is impaled with a bunch of sharp steel rods that shoot through the walls and kill. This is the type of media crew that apparently solve murders on their own and entertain the notion of meeting the snuff maniac instead of involving the police. 

  The snuff killer has an assistant who exclaims "I like to kill slowly, because its fun"! He has ugly sex with one of the girls in the backseat and they are both violently killed by someone in the shadows.

50 Bucks for that Poncho, That's outrageous!

  We see glimpses of the killer by way of a strobe light, he wears a full poncho raincoat with a face mask, similar to the uniform of The Prowler (1980). He uses spools of wire,steel rods and totally unconventional weapons for a slasher flick. 

  The killer confesses to having a split personality, one minute he's dressed in a suit, drinking from a flask looking for the real killer (like O.J.?), the next he dons the poncho and severs limbs. He's very skilled at setting steel wire traps that trigger weapons to detonate and at one point a poor female victim's head is crushed in a vice! 

  The killer leads her down a hallway and keeps saying a child is responsible for all the carnage. She also seems to know he's the killer, but doesn't bother to stop him, maybe she thinks a baby could be responsible and oddly enough she's not far off!

Pizza The Hutt Jr! 

   She's willing to kill all of her friends to get a news story like an Asian Nancy Grace! The ending is mind bludgeoning and I won't give it away, but it's really unexpected to say the least!

Synapse just started offering streaming of many of their titles, they are one of the best gore companies around today, get a free trial and check out what they have!
WATCH HERE!